November 7, 2012

Richard Thomas Performs Tennessee Williams


"If the writing is honest it cannot be separated from the man who wrote it."
-Tennessee Williams 

We've had lecturers, musical guests, comedians and speakers thus far during the season. Now, how about some acting? In the coming weeks, Emmy-winning actor Richard Thomas will be bringing to life some of the literary work of the legendary writer, Tennessee Williams.

As I'm sure you may know, Williams was one of the most highly acclaimed American playwrights in the 20th century. Widely acclaimed during the heyday of his career, he was a two-time Pulitzer prize winner for A Streetcar Named Desire and Cat on A  Hot Tin Roof, and also won a Tony award for The Rose Tattoo. Tennessee personally adapted many of his works into screenplays, but also penned essays, poetry, novels, prose and other short stories.

So, which of these selections is Thomas portraying? Well, Richard is not going to merely be interpreting selections from Williams' classics. Instead, Richard Thomas will be performing what is arguably Williams' most interesting and flawed role... which happens to be the author himself.

How is that, you ask?

You see, when Tennessee Williams passed away three decades ago, he left behind a treasure trove of personal letters. This, combined with a lifetime of memoirs helped paint a picture of the man behind the pen. Steve Lawson adapted these writings into a one-man play, a showcase that paints Tennessee with his own words. Not only is that a daunting task for an author, but for the thespian as well. After all, think about this for a moment. How much of you is embedded in your day to day writing? Decades from now, will someone be able to portray you based on your journal, your blogs, your emails, Facebook posts and Tweets?

It truly is a dream and a challenge to play such a distinguished yet complex and tortured persona, but Richard Thomas has a charm and sense of nuance to be able and pull it off.

Thomas is one of those actors you may recognize from his work, even if you may not remember his name. A veteran of stage and screen, chances are very good that you've seen him in several things over the years. To many, he will always be known as the aspiring writer John-Boy from the 1970s television show, "The Waltons." Richard won an Emmy for the role, and has received additional nominations over the years for Golden Globes and more Emmys.


It will definitely be interesting to see the portrayal of Williams as a young growing writer. Tennessee descended into an abyss of alcohol and drugs in later years, which likely effect his outlook on life and the human condition. Although I'm sure the portrayal will be subtle, I look forward to seeing this pay where we can see a transformation of the one man onstage from Richard Thomas to Tennessee Williams without any other actors to play off of. That, my friends, has the potential to be fascinating in this show that will be poignant and personal.

Tennessee Williams knew that the craft of writing was a never ending pursuit. Like life itself, it is where passions and emotions can intertwine with narrative to conjure weather that can effect even the sunniest disposition. At times a flamboyant and twisted genius, he embraced the darkness of the human condition, reflecting an inner turmoil that decades of self-abuse could not subside. I can't wait to see this evolution of the man and the artist in front of our eyes on the stage.


In the intimate quarters of the Stateside theater, it will be appropriate to see such a personal portrayal. This unique presentation is straight from the heart of Tennessee.


For one night, Richard Thomas brings Tennessee Williams back to life at Stateside. Wednesday, November 14th at 8:00 p.m. 

October 14, 2012

A Pre-Election Roast with The Onion


Who else is ready for campaign season to be over? I don't know about you, but I'm just about ready to graduate to the next thing that will irritate me. Luckily, The Paramount will be hosting guests that will make things a lot more tolerable for those of us with "election fatigue."

Don't get me wrong. I fully appreciate the political process, but the cycle of vitriol sure has sapped the joy out of a lot of us. This year, bringing up politics is a sure fire way to escalate a talk from civil discourse to a shouting match. And I can't begin to tell you how many people in my online social circles have been blocked or removed the past several months for being dogmatic blowhards. It's harder and harder to find middle ground these days, often because it seems anyone with a strong opinion has an agenda to make you agree with them. To those, it's a Michael Jackson kind of situation: either black or white.

Heck, you can't even watch the news anymore without a Costco-sized bottle of aspirin at the ready. CNN, Headline News, FOX News, Breitbart, Drudge Report... it's like journalism is secondary to sensationalism. It's a shouting contest where ultimately no one wins. What happened to journalistic objectivism? My inner Simon and Garfunkel croons, where have you gone, Walter Cronkite?

Now that intelligent and unbiased news has gone the way of the dodo, we might as well embrace the absurdity of the current situation. Since we can't depend on journalism to deliver intelligent analysis, a nation turns its lonely eyes to satire. Thank goodness we still have that degree of astute observation available to us, because at least they provide a degree of spice to our daily media consumption. Otherwise, our brain's media diet would only consist of the same old white bread and water usually reserved for prisoners.

So who sprinkles tasty morsels of mockery into our daily lives of mundane media bombardment? Why, it's The Onion, of course! For nearly 25 years, this satirical news organization serves all the parody that's fit to print, they have been presenting articles that lampoon not just news but often the structure of journalism itself. Their website is their most visible vessel, but they also publish a printed newspaper in select markets (including Austin, TX). I figure Austin was selected because anyone living close enough to the state capitol (not to mention some of our recent governors) must have a craving for some comic relief.

While The Onion excels at jabbing our own national news and the political processes, the staff takes aim at many aspects of our daily life. Regular features like those found in more conventional publications (Sports, Entertainment, Personal Interest Stories, etc) are present, all with the same candor and wit that makes all of their reading so devilishly entertaining. If you have the interwebs, feel free to follow them on Twitter to keep a finger on the sarcastic pulse of what's happening in the world. These are the guys whom you are happy to have blow up your twitter feed. Trust me, there's nothing they won't blast. Like the Eye of Sauron (or something less dorky, if that works for you), nothing avoids their sniper-like gaze.

And with the election in its final lap, The Onion brings their wit to The Paramount. On stage will be the members of the creative staff, offering insight into the writing and a behind-the-scenes peek at the production of the Onion News Network. Oh, and they're also going to provide coverage of the election like only they can. I'm sure they won't just jab at the Presidential candidates; they're more likely to hit them over the head with a lead pipe like Professor Plum in the Conservatory.

I look forward to it with eager anticipation. I've been dying to have someone deflate this political balloon of all its hot air. And as for their trademark acerbic touch, I must confess a deep gratitude. Their  version of the news often makes me want to keep up with the world instead of sticking my head in the sand like an ostrich. To The Onion, my own inner Simon and Garfunkel sing on:

So here's to you, Onion writing staff, 
People love you more than you will know. 
Whoa whoa whoa
Oh bless you, please, Onion writing staff. 
Laughter makes the doldrums go away, 


Hey hey hey 

Hey hey hey!

So koo koo kachoo, Mrs. Robinson Austin. The Onion is coming to bring tears of laughter to your eyes. Tears of laughter, that is. The crew will surely alleviate the stress of utter stupidity that all other networks heap upon us. After all, the process can be so ridiculous you have no choice but to giggle and guffaw. I mean, come on... take a look at this guy. Even he can't help but laugh.


Or maybe he's just been peeling away layer after layer of the political machine for so many years he has no choice but to laugh. After all, being enveloped in that environment has got to be so maddening that it's apt to make you cry. You know, just like peeling an onion.

The Onion lands on stage on Friday, October 26 at 7:00 p.m. Leave your own political convictions at the door, because nothing is sacred.



October 4, 2012

Jeff Garlin


"It used to be that people thought I was Norm from 'Cheers.' Ten years ago everyone would say that to me. Then, in the last year, I was at a newsstand in Studio City, and I saw George Wendt. He said he had just gone on an audition, and they said they were looking for a Jeff Garlin type."
 -Jeff Garlin 

Replacement refs! Presidential debates! Seasonal allergies! Christmas creep in retail stores! I don't know about you, but I could use a drink, a good laugh or both. Luckily for us, we can soon do both. Just in time to help stave off those pre-holiday crazies is a comedian we all know and love. Heck, even if you don't know him, you've heard of him. And no, it's not Norm from "Cheers."In October, The Stateside at The Paramount and Moontower Comedy present Jeff Garlin in his one-man show, "Built for Comfort."

Now don't you dare tell me you don't know who Garlin is. For the uninitiated: yes, he used to be a big guy (re made great strides in reducing his waistline a couple of years ago), but he's still kind of a big deal. Beginning his comedic career with Second City in Chicago, Jeff has been quietly popping up in television and movies everywhere over the past decade. Well, quiet except for the uproarious laughter he brings out of you.

In addition to being a comedian/writer/actor/producer/author/director/jack-of-all-trades-entertainer, Jeff also is a voice actor. If you have been in the company of little ones watching recent animated work, you may know him from the recent PARANORMAN. If not, chances are you recognize his voice from his work in recent Pixar movies such as CARS 2 or TOY STORY 3. Also, he had a very memorable turn as the captain who embodies both the weakness of the flesh yet the strength of the human heart in WALL-E.


Or perhaps you've seen him on television flexing his comedic muscle in "Mad About You," "Everybody Loves Raymond," and "Arrested Development" among many others.

I imagine most of you, however, know Jeff from his work in one of the best TV comedies of the past decade: HBO's "Curb Your Enthusiasm." The series chronicles the pedantic culture of "Seinfeld" co-creator Larry David and the pratfalls of his day to day life. Over the course of eight brilliant seasons, Garlin has produced the show and also starred as Larry's ever loyal but childish manager Jeff Greene. Together, Larry and Jeff are like the Tom Sawyer and Huck Finn of adult idiocy.

As Greene, Jeff constantly finds himself in tough situations (always of his own creation), and inevitably pays for it at the hands of his wife Susie (played by Susie Essman). She pulls no punches when admonishing both Jeff and Larry with a double-barrelled blast of obscenities. Heck, she lets F-Bombs fly aloft like an old-school arcade game of Missile Command.

Jeff has had too many golden moments here over the years to mention, and also has a variety of catch phrases that I must confess I have adopted myself over the years. My favorite? A euphemism Greene often speaks on the show deploring a particular action as "a big bowl of wrong."

I've been an avid watcher of "Curb Your Enthusiasm" since day one, and the antics of Larry and Jeff never cease to amuse me. For me, nothing has been better than the one time when Jeff is usurped as head of the household by the family dog because of pet allergens. It's hilarious and... well... take a look for yourself.


There's a certain devilish charm to watching Jeff clumsily carouse through his life as a overgrown child, and these men behaving badly only work because of the genius of their performance and the charm of their bone-headed scheming. After several seasons, the characters feel like old friends, and we always wait with baited breath to see exactly what kind of trouble these morons will get into next.

See? I told you you knew who Jeff Garlin was. We all know him, even if previously didn't know what his name was. In a world of ever-changing comedic talents, Garlin is no longer someone who flies under the radar. With the wide variety of projects he has tackled, Jeff is more than just an unknown supporting player. He is, if you pardon the pun, the new norm.

But not that one.

Who knows what kind of funny he'll bring to the Stateside stage? Well, actually you will. Isn't that right? Because missing this would be a big bowl of wrong.

Jeff Garlin takes the stage at The Stateside on Saturday, October 13, at 7:00 p.m. And thanks to people like you, he's gonna be where everybody knows his name...



September 14, 2012

Bill Engvall


"I just hate stupid people. They should have to wear signs that say 'I'm Stupid'. That way you wouldn't rely on them, and you wouldn't ask them for nothing."
-Bill Engvall 


About a month ago, I heard a story on NPR about an anthropologist who studies comedy. Yes, I'm serious; it's not a joke. He was trying to study humor from a scientific perspective to see what makes something funny. Needless to say, when it comes to something as subjective as comedy, the results were inconclusive. And to that guy, all I have to say is "good luck, brother." I think it's safe to say that any attempt to quantify the funny is foolish, if not outright stupid itself.

Of course, when it comes to identifying stupid, perhaps I need to defer to the best stand-up comic judge out there. That's because no one out there will nail you for being stupid quite like comedian Bill Engvall.

A native-born Texan who has gone from stand-up act to big time comic as part of the Blue Collar Comedy Tour, Engvall is more than a mere country-fried comedian. Originally from Galveston, Bill studied at Southwestern University in Central Texas and then resided in Dallas, where he was a disc jockey before trying his hand at stand-up. After making minor appearances on television, Engvall was named Best Male Standup at the 1992 American Comedy Awards. Things really took off when he began appearing on "The Jeff Foxworthy Show," which led to continued success with Blue Collar Comedy and now as a game show host. Oh, and along the way he's also a multi-platinum selling recording artist for his comedy albums. Yep, over the years he's made quite a living as a very busy entertainer.

So what's his secret? It's pretty simple. Bill is very good at all he does, and perhaps what he does best is describing identifiable situations that not only we can relate to, but can't help to laugh at.

Someone tell the anthropologist in the NPR report that it's no riddle that the key to making people laugh is forming a real connection with your audience. Just take a look back at nearly all successful comic acts. From the popular (Jerry Seinfeld, Bill Cosby, Woody Allen), to the controversial (George Carlin, Richard Pryor, Lenny Bruce, Bill Hicks), to the unorthodox (Mitch Hedberg), all use audience connection as a gateway to laughter. Whether it's childhood experiences or something we take for granted on a day-to-day basis, comedy lies in whether the stand-up comic is relatable. And when the comedian connects with you, he/she isn't merely spouting one-liners... they're speaking the truth!

Now, if you're wondering why I referred to Engvall earlier as a judge of stupid, please don't think it's a derogatory term. I only say that because Bill is probably best known for placing his stamp on popular culture with a particular act. His signature bit is where he points out the inherent stupidity of others. As a warning to other people who may have to interact with such people, he mimes giving out a sign that reads, "I'm stupid!" That way, others in society can be warned and give a wide berth to avoid interaction with such maddening imbeciles.

Yes, it is a novel concept: to get the stupid to wear badges of shame (or honor if they are, in fact, that moronic). But it got me thinking... Maybe Engvall was on to something.

In a perfect world, wouldn't that be a great idea? And in that case, what individuals (whom have demonstrated questionable judgment) might have benefitted society by having their own "stupid" sign?
I wonder...



When one considers this small assembly of bone-headed decision makers, perhaps it has some merit.

I don't know if it's something to write our local congressman about, but it sure would be nice. I'm not saying we need to brand these simpletons with a scarlet letter (Hester Prynne style), but maybe a press conference while wearing a dunce cap would be in order. After all, let's admit it. We've all done some truly stupid things, and I don't think there would be enough signs to go around.

Speaking of dumb decisions, missing out on Bill's appearances at The Paramount Theatre would be a very foolish choice indeed. You don't have to be an anthropologist to come and laugh at Bill's antics and anecdotes. So get ready to welcome the return of a native Texan who has made it big. There's no reason to hesitate, but if per chance you're feeling reluctant and looking for a go ahead.... Well then, here's your sign.


Bill Engvall is sure to be handing out the laughs (and the signs) on Friday, September 21st at 7:00 and 9:30 p.m. at The Paramount Theatre.